Photographing or filming any of the performances and items in the museum is not permitted. Please do not bring your own food or drink into our Headquarters and note food and drink is NOT permitted in the theatre. We have a licensed bar with a wide selection of drinks and snacks. Euston Station provides secure luggage rental spaces. Luggage: We have NO room for luggage or rucksacks or large bags. Some visitors may be disturbed by this, so consider this before booking.
Seats in Row L are located near our air conditioning outlet. Late-comers may not be permitted to enter the theatre until the interval. There will not be an opportunity to visit the museum or collection AFTER the performance. The museum is open and magicians will be circulating throughout the event. They should also be able to sit unaided in their own seats Babes in arms are not permitted and all visitors must have a ticket to enter the Headquarters.Īrrive when the doors open to make the most of your visit. Note you should book tickets in the stalls for younger children as they may not be able to see over the balcony rail.
The Magic Circle Christmas Show is great for all family members over the age of 7. To ensure you have a wonderful time, please ensure you take time to read our Christmas Show rundown:ĭoors open at 1.30pm for the afternoon performance and 6:00pm for the evening performance. The Magic Circle Christmas Show is our annual fundraising special event with all proceeds being donated to The Magic Circle Foundation. Christopher Wood, Victorian Painting, London 1999, pp.236-42.ĭoes this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.1 of 1 More Information about The Magic Circle Christmas Show Waterhouse, Oxford 1989, pp.31-4, reproduced p.33. It was bought by Sir Henry Tate, who included it in his founding bequest to the nation in 1894.Ī study for the composition, in grey and brown wash, is also in the Tate collection (Tate T02106).įurther reading: Anthony Hobson, J.W. The Illustrated London News featured the picture as one of the principal works of the year and reproduced it across two pages of an extra supplement. The women's varied expressions of apprehension add to the atmosphere of tension as the priestess waits for the oracle to speak.Ĭontemporary critics remarked on the 'hysteric awe' of the semicircle of women seeking the prophecies of the Teraph and the 'terror' of the priestess as she 'interprets its decrees' (quoted in Hobson 1989, p.34). This is counterbalanced by the diagonals of the patterned rugs and the leaning body of the priestess, her hand silhouetted against the daylight, streaming through the open window.
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The series of arched windows, the semi-circular design of the floor and the sweep of the marble step set up a rhythm within the painting. The composition, for all its exoticism, is essentially classical. As he explains, 'This refers not to some telescopic view of the scene but to the keyhole shape of the figure grouping, in which a ring of spectators concentrate their attention upon another single figure' (quoted in Hobson 1989, pp.31-4). Hobson compares the painting's composition to the shape of a keyhole. The atmosphere is heady with incense and the priestess gestures to the women to be silent as she strains to interpret the utterings of the mummified head. Lewis (1805-1876), rather than from personal experience. The picture was exhibited at the Royal Academy with the following explanation in the catalogue: 'The Oracle or Teraph was a human head, cured with spices, which was fixed against the wall, and lamps being lit before it and other rites performed, the imagination of diviners was so excited that they supposed that they heard a low voice speaking future events.' The setting is probably imaginary, but has an exotic, middle-eastern flavour, derived from the work of artists such as J.F. In this picture he shows a group of seven young girls, sitting in a semicircle round a lamplit shrine, waiting in excitement while the priestess interprets the words of the Oracle. Miracles, magic and the power of prophecy are common themes in Waterhouse's art.
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